Walter Scott Prize for Historical Fiction – Longlist:

I see a pattern. Do you?

  • A God in Every Stone by Kamila Shamsie – England, Turkey, India – WWI
  • Arctic Summer by Damon GalgutEngland, Cairo, India – 1912 (unclear from reviews if/how much WWI figures into the story)
  • Mac and Me by Esther Freud – England WWI
  • The Lie by Helen Dunmore – WWI France; Post-WWI Cornwall
  • The Paying Guests by Sarah Waters – 1922 England, Post-WWI
  • Wake by Anna Hope – England Post-WWI
  • The Wake by Paul Kingsnorth – England Post-1066

Observations:

  1. Western writers and readers obviously still can’t get enough of WWI and WWII.
  2. The 1600s remains a popular era.
  3. The context of war is fertile soil for story.

Publishing note: The Wake by Paul Kingsworth appears to have been originally published in 2014 by a crowdsourcing process. See:

http://unbound.co.uk/books/the-wake

Can you guess which just jumped to the top of my TBR list?

Walter Scott Prize for Historical Fiction – Longlist:

I see a pattern. Do you?

  • A God in Every Stone by Kamila Shamsie – England, Turkey, India – WWI
  • Arctic Summer by Damon GalgutEngland, Cairo, India – 1912 (unclear from reviews if/how much WWI figures into the story)
  • Mac and Me by Esther Freud – England WWI
  • The Lie by Helen Dunmore – WWI France; Post-WWI Cornwall
  • The Paying Guests by Sarah Waters – 1922 England, Post-WWI
  • Wake by Anna Hope – England Post-WWI
  • The Wake by Paul Kingsnorth – England Post-1066

Observations:

  1. Western writers and readers obviously still can’t get enough of WWI and WWII.
  2. The 1600s remains a popular era.
  3. The context of war is fertile soil for story.

Publishing note: The Wake by Paul Kingsworth appears to have been originally published in 2014 by a crowdsourcing process. See:

http://unbound.co.uk/books/the-wake

Can you guess which just jumped to the top of my TBR list?