I imagined I’d complete the second draft of my novel by the end of June. Nope. Not even close. The picture above shows three colors of tabs noting areas needing factual or language research or just plain missing text. This image shows only 60 pages of manuscript.
This next photo is more recent and shows the markup of about 70 pages. Each color has a purpose—beyond research and pending text, most track the unfolding of information, backstory, or characters’ progressive thought. The intent is to weave a thousand threads—gradually building without repeating.
I need one more go-through of this section and I’ll likely move on. I think that will put me at around 40%.
I must complete this draft in 2020 or I will despair. The goal is to make sure all of the story/information is complete but resist word-crafting. The next draft will first be read for story, then I will start smoothing and refining.
Since my main writing projects are historical novels, I’ve been longing to explore another form – something at the opposite end of the spectrum. Work that I could finish short of decades! And, needing no research. Wouldn’t that be grand?
Flash memoir is about as opposite as I can get. And gives me the chance to record personal experiences—no interlibrary loans!
So, I’m using my travel adventures to toy with words at a level I can’t yet apply to my fiction. (Those endeavors aren’t ready for close word-crafting).
I’m experimenting with tone, voice, rhythm, point of view, etc.
Starting with a series based on train rides – I’m just throwing them out there – wondering how they feel to anyone outside of my own head.
The post that follows will be my first effort. Further flash memoir posts will be linked to this one as explanation.
I’m supposed to be editing my novel for story. (This is only the second draft.) But I can’t help tinkering with the words and it’s causing me a great deal of anxiety. It seems that I need another 30 years of practice before I can hope to have sentences that are either lyrical or, at least, expressive and the proper tone for the piece – words that flow with the same rhythm and feeling as their intended meaning. To improve, I’m trying to deconstruct the flowing words of others. They say you should copy passages you love – and thereby absorb skills via osmosis. I still need to do this. Maybe it will help. In the meantime I see patterns of sentence construction that I use over and over in my attempts at fiction.
This is a code need to crack. It’s one I understand logically but I can’t seem to break through with my own writing.
Scenic artists are often tasked to apply visual or physical textures randomly – so that they appeared natural, not manmade. You wouldn’t believe how difficult it is to keep from falling into a repeated pattern.
Property insurance adjusters can usually tell when wind or hail damage has been faked on a roof because the “damage” shows an evenly spaced pattern when looking at the entire field. Nature doesn’t do that. But humans fall into it no matter how hard we resist.
Back to words – this bent for repetition is embedded in my writing. I’m using the same syntax in nearly every sentence whether long or short. I have ProWritingAid software and the Sentence analysis shows I could do with more variation. So, this is my next step with words – copy words I love and do some structural analysis of my own.
I do believe fine writing can be learned. But I sometimes question why I would abandon 50 years of visual art experience in order to write. After all that painting, I could still do with another lifetime to conquer it.
How do I get up to speed with this new skill fast enough to create my stories before I die?
Two years from my last post – a sensible time for an update!
Yes, I’m still here. In fact, I am still pursuing that same 3:30 a.m. rising time mentioned in my last post. 3:45 a.m. seems to be my sweet spot. I’d like to make it earlier. I have other responsibilities which begin at 5:30 a.m.
Last year the Day Job consumed me – 77 hours/week for months on end. Meanwhile, my aging parents need increased assistance. Even so, many days I got up and at it before dawn. In July I made a change to my Day Job which means a lot less money but – sanity!
But, the big news is:
I FINISHED THE FIRST DRAFT OF MY FIRST NOVEL!
(Yes! I’m shouting!)
That happened sometime in September. Odd thing was, there was no parting of the clouds. No heavenly choir. I simply came to a stop and thought – right, I believe that’s all I’m going to do here. Time to start back at the beginning. Then it dawned: End of First Draft.
So, that’s what that is like. Huh.
Since then I’ve been clarifying character backstories and nailing down research details – all with the aim of starting back at page 1 on January 1st, 2019.
Early October had me leaving Atlanta with the clothes on my back to reach Jacksonville in time to evacuate my parents from what was supposed to be a Cat 4 hurricane grinding up the coast. Two hours south of Atlanta I received a call asking me to be a Team Lead for a different company – a gig that would put working me in Jacksonville for a while at least. So, I said yes. After a crazy evacuation, I began that assignment, only to have it finish two weeks later. However, by then, I’d had another offer for a long-term opportunity that would allow me to sleep in my own bed for the foreseeable future. I took it.
Then we launched into the endless holidays. All the three and four-day weekends filled with either a backlog of chores not done while I was constantly away or holiday preparations at my house and my parents’. This was the first holiday season for them in their “new” house and the first for me at mine for several years.
All good stuff but meant none of my “free time” got me any further on my writing projects.
I was so long-term exhausted after months of running full-tilt and then the 12 hour/7 day Team Lead phase that I was falling asleep at 7 p.m. – which meant I was waking up around 3 a.m. Once mind and body had recovered, I realized that, with my new job and new life at home, getting up to write at 3:30 a.m was really my only option AND completely DOABLE!
And so, that’s exactly what I have been doing. It’s still nothing like enough time. And my weekends continue to fill up and not provide the larger chunks of time that I need to make this all happen. However, it’s a lot better than nothing and I keep thinking if we can get beyond the extras (backlog of tasks and holiday stuff) I might finally GET an additional 3-4 hour session on Saturdays, and/or Sundays.
I’ve recently read several blog articles about language use in historical fiction. These writers take great pride in their efforts to use vocabulary, sayings and syntax to establish their story’s manners, mores and customs. They delve into novels, letters, news articles, chronicles, public records, anything they can find from the period in order to provide an aural immersion experience for the reader.
“The manuscript should not offer a single word, phrase, or description inconsistent with the era, or the illusion of time displacement will be compromised.”
In his Royal Literary Fund article titled, “No Pastiche: Re-voicing the Past“, James Wilson explains that he goes as far as actually learning the (English) language of the time:
“I learn the (or an) English that’s appropriate to the world in which the novel is set, and then use it – exactly as I would my own present-day English – to describe the characters’ experience as vividly and authentically as I can.”
These are high goals. And, of course, few of us have the patience to read Old English. I haven’t read works by either Mr. Colton or Mr. Wilson but I trust they have learned to balance today’s reader expectations and pace with their immersion research.
My next post will address my own challenges in this area.
Meanwhile, what are your favorite examples of historical fiction that best reflect the language of the period without getting bogged down for today’s reader?
What are your favorite #Histfic reads that best reflect that period’s #language usage?
10,000 new words in six days! Whew. Mostly rubbish but something to work with. I’m trying to set short-term goals based on what looks possible within the next chunk of time. Those six days were spent away from home, helping my parents with their move. While I am with them, we have a standing agreement that I spend my mornings working on my writing. I am often able to squeeze additional time (mostly reading, research and social media) into the evenings.
I’d set myself a minimum of 1500 words/day while there – see here – enough pressure to keep me focused but not so much to make failure inevitable. I’m not sure of the exact final count because I often delete chunks of in-line notes along the way. But I definitely averaged above my 1500 word/day goal.
Now I am home again – for about a week. This time must include unloading and finding room for the belongings I always cart south by truck and small trailer on these trips; quarterly and 2014 tax paperwork, phone calls regarding all of the preparation needed to establish Mom and Dad in their new home: new doctors, Invisible Fence estimates, lawyers; buying paint for their “new” house, the usual personal catching up (laundry), and, if the weather will allow, some exterior painting on my own house.
So, my next short-term goal is: a minimum of 500 words/day on the manuscript (blog posts don’t count!) and putting together some reference lists that I feel I need to finally tackle. I’m at the point in my scribbles where placeholders for the names of minor characters, major articles of clothing, architectural terms, etc, are slowing me down. One can only have so many Whosywhatsits, So&Sos and thingamajigs in a manuscript before going nutso.
Day job, family, (laundry, errands, bills, stray cats and trying to move aging parents to new home), news headlines, Facebook, Twitter, WordPress, real life relationships – everything conspires against our creative arts. This past week, with 20x more discretionary hours available than usual, I lost focus. I meandered down every possible rabbit hole. A lot of it was good – I’ve learned about marketing, how to use Twitter, found new resources and finished some research – but I didn’t add one word to my manuscript. I floundered.
Today I’m packing to head north again and wishing I’d used this week at home more effectively.
My life goes from 95% externally structured (when on an adjusting gig) to negligible external structure (between gigs). I have been self-employed most of my life so I am adept at self-structure and motivation. But from time to time even I fizzle out.
So, in an effort at self-help, I’ve added a special page to this blog to track my challenges in focus and productivity. I’ll keep it separate from this main feed in order to not clutter it up. Since technically it won’t scroll like a blog, I will continually update the page text and see if that works. It will include periodic reviews of how I am doing, plus observations, tips and resources to combat this struggle. I can’t promise there will be no pity parties.
I am fascinated by the methods other people use to get their creative work done in the midst of life’s demands. I am especially amazed at people who can produce art while enduring the worst of this life’s burdens – their own or loved one’s illness, broken relationships, war and death. Not trying to be morbid, I’m just amazed at how some people manage to carry on.
Even the daily routine of better days fills life to the edges with activity – all urgent and consuming.
Most artists/writers advocate getting up in the wee morning hours to get the writing/painting done and I have found it to be true for myself. Once the regular day begins there seems no way to disengage.
So, up early. And what else? Creatives establish little rituals. For me, it’s a humongous mug of PG Tips (that’s English tea) with half & half.
And goals. Many writers have daily word count goals. I have been participating in an online group of writers whose only connection is a commitment to write 250 words per day, every day. When you’ve done your words, you enter your daily total into an online Google document. People with the longest unbroken stretches and highest word counts get to be in the leader board. That’s it. No prizes. But, we cheer and spur each other on. It works wonders.
Last Spring I managed 53 days in a row. Then I went into research mode and then was consumed by my resurrected painting business.
Whew. Made it for the day.
How do you do it? How do you make the time, energy and emotional space to do the creative work only you can do?