Risking my ego and sanity, I’ve placed the first 120 pages of my historical novel into the hands of several volunteer readers. (Gulp!)
Having finished the 2nd draft, I need feedback. I’m writing in a difficult period—few readers will come to it with any knowledge of the context. Why not let some smart friends see it and learn whether my initial efforts are working?
I’m still waiting on about half of the responses. Once received, I will study the areas of consensus and use the results to guide future drafts.
In the meantime, I’m brainstorming and outlining four other stories. Much of the research overlaps with the first book, so hopefully these won’t take another ten years to complete.
After decades of digging through Late Antiquity, I’d be foolish not to use the same material for other projects. Besides, it remains my passion.
I’m still rising early, usually between 2:00 and 3:30. My caregiving responsibilities start at 5am, so I do what I can before then.
Meanwhile, Covid. Not much to report from here. See my personal blog for that status. We’ve been tested twice—after possible exposure from healthcare providers. So far, so good.
I imagined I’d complete the second draft of my novel by the end of June. Nope. Not even close. The picture above shows three colors of tabs noting areas needing factual or language research or just plain missing text. This image shows only 60 pages of manuscript.
This next photo is more recent and shows the markup of about 70 pages. Each color has a purpose—beyond research and pending text, most track the unfolding of information, backstory, or characters’ progressive thought. The intent is to weave a thousand threads—gradually building without repeating.
I need one more go-through of this section and I’ll likely move on. I think that will put me at around 40%.
I must complete this draft in 2020 or I will despair. The goal is to make sure all of the story/information is complete but resist word-crafting. The next draft will first be read for story, then I will start smoothing and refining.
Two years from my last post – a sensible time for an update!
Yes, I’m still here. In fact, I am still pursuing that same 3:30 a.m. rising time mentioned in my last post. 3:45 a.m. seems to be my sweet spot. I’d like to make it earlier. I have other responsibilities which begin at 5:30 a.m.
Last year the Day Job consumed me – 77 hours/week for months on end. Meanwhile, my aging parents need increased assistance. Even so, many days I got up and at it before dawn. In July I made a change to my Day Job which means a lot less money but – sanity!
But, the big news is:
I FINISHED THE FIRST DRAFT OF MY FIRST NOVEL!
(Yes! I’m shouting!)
That happened sometime in September. Odd thing was, there was no parting of the clouds. No heavenly choir. I simply came to a stop and thought – right, I believe that’s all I’m going to do here. Time to start back at the beginning. Then it dawned: End of First Draft.
So, that’s what that is like. Huh.
Since then I’ve been clarifying character backstories and nailing down research details – all with the aim of starting back at page 1 on January 1st, 2019.
As I mentioned here, I was tossed a great independent adjuster gig and so I’ve been at that for 25 days running. I leave the house at 8:15am and return around 8:30pm – seven days a week. It doesn’t leave much time for painting or writing. My hair is becoming an over-grown mop and the dust bunnies are staging a coup.
I am, however, working towards a plan in which I spend a few minutes in the wee hours of the morning painting some pieces for display and, hopefully, sale, at my booth in the Avonlea Antiques mall. So far the plan has been thwarted by electrical failures and dirty litter boxes but I am zeroing in on the target.
Last fall I spent an afternoon wandering around downtown Jacksonville taking pictures of architectural details. I have culled some decorative motifs that I will paint as trompe l’oeil panels and canvases. I can’t wait to get started. I will post the results once I am finally under way. I just have to convince the dust bunnies to let me down into the basement where I have set up a work table. Then I will paint from 5:30-6:30am while enjoying my tea and ignoring the siren call of the neglected laundry.
I am fascinated by the methods other people use to get their creative work done in the midst of life’s demands. I am especially amazed at people who can produce art while enduring the worst of this life’s burdens – their own or loved one’s illness, broken relationships, war and death. Not trying to be morbid, I’m just amazed at how some people manage to carry on.
Even the daily routine of better days fills life to the edges with activity – all urgent and consuming.
Most artists/writers advocate getting up in the wee morning hours to get the writing/painting done and I have found it to be true for myself. Once the regular day begins there seems no way to disengage.
So, up early. And what else? Creatives establish little rituals. For me, it’s a humongous mug of PG Tips (that’s English tea) with half & half.
And goals. Many writers have daily word count goals. I have been participating in an online group of writers whose only connection is a commitment to write 250 words per day, every day. When you’ve done your words, you enter your daily total into an online Google document. People with the longest unbroken stretches and highest word counts get to be in the leader board. That’s it. No prizes. But, we cheer and spur each other on. It works wonders.
Last Spring I managed 53 days in a row. Then I went into research mode and then was consumed by my resurrected painting business.
Whew. Made it for the day.
How do you do it? How do you make the time, energy and emotional space to do the creative work only you can do?