The William Shakespeare Detective Agency: The School of Night – by Colin Falconer

Falconer's William Shakespeare Detective Agency

Falconer’s William Shakespeare Detective Agency

On William Shakespeare’s birthday, I won a copy of Colin Falconer’s The William Shakespeare Detective Agency: The School of Night by simply sending the writer an email asking to enter the drawing. That was easy! (Woot! I actually WON something!)

Stuck in VA for extra days due to endless rain, I figured it was a great time to venture into my freebie. The work is right around novella size and I finished it in four evenings.

The story introduces country bumpkin William Shakespeare, cousin to THE William Shakespeare. Country Will has come to London to seek his fortune and landed on famous Will’s threshold penniless. Of course, he gets into immediate trouble and raucous fun ensues.

I don’t write starred or formal reviews, but I will say this was good entertainment: rough-and-tumble London, complete with murder mystery and forbidden romance. It is a bit bawdy, but then, so is our famous Shakespeare at times, when we high-brow readers are willing to admit it.

The main character is endearing, famous Will is well fleshed-out and the romantic interest has pizazz. Mr. Falconer is setting himself up with plenty of material for future escapades. The second installment – The William Detective Agency: The Dark Ladyhas also been published.

I confess, I’m easy pickings for London, theatre history and Shakespeare, but I’m sure anyone looking for a few evenings of escape to into Elizabethan England will enjoy it.

The author’s historical notes at the end are particularly amusing. Falconer has written these as if commenting on the historicity of the story as a found document/journal and notes various anachronisms or “poor memory” by the original “author”. Clever.

Recommended: for laughs and light reading

You can see Amazon reviews here.

And Goodreads reviews here.

Colin Falconer’s Blog is here.

Hooked on History

Two Men in Osh, Kyrgystan, 1995 – Lausanne Davis Carpenter

Most people can testify to at least one teacher who made an otherwise dreaded subject come alive. I had several excellent English teachers but already enjoyed literature and drama. History required a master storyteller. I’ve forgotten his name but he made American History sound like it had happened to him. Last week. He knew all these tidbits and side stories that were not in the text book. He transformed a dull, irrelevant topic into entertainment for junior high students. This miracle might qualify him for sainthood.

But my true love of history occurred much later. Why are so many of us hooked on history only after we reach adulthood? I think it is then that we ask new life questions. It’s no longer, “Why can’t I borrow the car?” but rather, “Why do people behave this way?” Or, for me, “What happened here?”

I became interested in Christian history around 1987. I was back to church after several years of distraction (college) and wanted to understand the development of my own traditions and theology. I’d been taught the Bible since I was a child but wondered how we got from those stories to the present. At the time, I was a temp word processor for a major corporation. Work was slow so I brought in reading material. On my desk sat, Here I Stand (a bio of Martin Luther), and a stack of Puritan history books. People kept asking me if I was taking a course. They were mystified when I confessed I was reading for pleasure.

My next phase came when I moved to London. Try to walk around London for a day and not long to spend the rest of your life exploring every layer of the past hidden in each cubic inch of that soil. So, for the next few years, I devoured British history. I lived in the East End surrounded by Bengali, Pakistani and Somali immigrants and I built deep friendships with many of the women. Over time I became fascinated with early Islamic history. I asked the same questions of Islam that I’d asked of my own faith – where did this come from? How did what I saw in 1990s London come from what happened in the seventh century Near and Middle East?

Meanwhile, I had been a painter, a theatre designer, and an inner-city community worker. The accessibility of London gave me opportunities to travel; Africa, Central Asia, Eastern Europe and the newly dismantled USSR – every location steeped in stories. Can you stand in the open air markets of Fez, Morocco or Osh, Kyrgyzstan without feeling you’ve just experienced time travel? Without imagining the sights and sounds of a thousand years? I found a new love for old travel books – stories of The Great Game and intrepid Victorian women – but writing, of any sort, was not on my radar.

Not yet.