Walter Scott Prize for Historical Fiction – Longlist:

I see a pattern. Do you?

  • A God in Every Stone by Kamila Shamsie – England, Turkey, India – WWI
  • Arctic Summer by Damon GalgutEngland, Cairo, India – 1912 (unclear from reviews if/how much WWI figures into the story)
  • Mac and Me by Esther Freud – England WWI
  • The Lie by Helen Dunmore – WWI France; Post-WWI Cornwall
  • The Paying Guests by Sarah Waters – 1922 England, Post-WWI
  • Wake by Anna Hope – England Post-WWI
  • The Wake by Paul Kingsnorth – England Post-1066

Observations:

  1. Western writers and readers obviously still can’t get enough of WWI and WWII.
  2. The 1600s remains a popular era.
  3. The context of war is fertile soil for story.

Publishing note: The Wake by Paul Kingsworth appears to have been originally published in 2014 by a crowdsourcing process. See:

http://unbound.co.uk/books/the-wake

Can you guess which just jumped to the top of my TBR list?

Strange Gods – Annamaria Alfieri

Strange Gods by Annamaria Alfieri

And the final “catch up” post brought over from my Long Ago & Far Away blog. I promise to keep this one more up to date in the future!

I recently enjoyed Annamaria Alfieri’s latest historical murder mystery: Strange Gods.

Set in 1911 British East Africa, a murder entangles a cross-section of expatriate and local characters into a complex but well constructed whodunit. And we get a love story as a bonus. Beyond the murder mystery and romance, Ms. Alfieri also illustrates the consequences of universal social ills and the challenges of those who must navigate through them.

I will leave the specifics for you to discover since I do not wish to slip into spoilers.

But, if you ask me, this book cries out to be expanded to film. Think of the scenery! The costumes! The culture and character contrasts! The discovery of dark secrets and passions! This could be both grand entertainment and worthy of critical acclaim.

Wouldn’t it be great to see some serious money poured into this project rather than another Transformers rehash?

Dare we hope?

When Ms. Alfieri has a break in her book promotion schedule and writing her next tale, maybe we can get her back here for another interview.

Have you read Strange Gods yet? Do you have any questions you would like me to ask of her? What do you think about putting it on the big screen?

In the meantime, I am observing certain recurring themes in my Long Ago & Far Awayreading. I will explore those in a near-future post.

More From Ancient Egypt: Stephanie Dray’s Lily of the Nile

Another “catch up” cross post from my Long Ago & Far Away blog:

Stephanie Dray’s Lily of the Nile, is an imaginative rendering of Cleopatra Selene’s formative tween years. Selene, daughter of the Cleopatra and Mark Anthony, was raised in the Roman household of Caesar Augustus after his triumph over her parents led them to commit suicide.

Rough start for a kid. But Dray’s Selene is no ordinary princess.

I usually resist anything suspect of girlishness but had picked up the book at the Historical Novel Society’s 2013 conference after hearing Ms. Dray talk about her work. Having recently read Wilbur Smith’s River God and The Quest, I figured I should get the last of my ancient Egypt stack taken care of. Although Lily of the Nile mostly takes place in Rome, the protagonist fits in my Egypt category.

I was pleasantly surprised at the unsentimental nature of Dray’s work and her ability to embed the historical context within an engaging story. I confess to an irresponsible lack of knowledge about the times and events so I was at Ms. Dray’s mercy for the facts but came away feeling better inform on all levels: people, events, culture and worldview.

Three areas of particular note:

1. Culture clash: I’d never given thought to how cold and rigid Roman culture must have felt to the conquered peoples. Selene’s Ptolemaic Egypt now seems the perfect foil to Augustus’ masculine authoritarianism.

And Dray’s representation of Isis worship in conflict with Roman religion was eye-opening. I’d always thought of Rome as primarily universalist – as long as the official gods were publicly honored. Dray makes it clear why the Romans might have seen Isis as a threat to their ordered social strata.

2. The Isis faith: Before reading Wilbur Smith’s stories mentioned above, I knew next to nothing about Isis or any of the Egyptian religions. In Lily of the Nile, Stephanie Dray does an excellent job of showing how the Isis religion may have contributed to the receptivity of Christianity and it’s eventual expression. Since Sunday School, I was taught that Rome’s Pax Romana paved the way for Christianity by facilitating the swift spread of ideas. I have some understanding of Hellenistic influence on the early church, and have a better-than-average awareness of other influences on the historical development of Christianity, but I was not aware of an active Egyptian religion contemporary with the birth of Jesus which preached love, appealed to the downtrodden and had a “Queen of Heaven” at the center. Okay, Isis also married her brother and included temple prostitution and magic in her cult. So there are plenty of differences. But after Dray’s portrayal of Isis it is hard to miss the universal tendency of human felt need for a Mother figure.

3. Dabbling in Fantasy: As with Wilbur Smith’s The Quest, Dray’s Lily of the Nile allows the magic of the worldview to manifest itself in the “real life” of the historical fiction. Maybe Smith’s The Quest prepared me for it here since I found it less disconcerting in Dray’s work. Possibly I was more jarred by it in The Quest because Smith’s earlier work, River God, with the same characters, did not blur the lines of genre. Suddenly, finding myself in a fantasy world threw me for several hundred pages. In reading reviews of The Quest and Lily of the Nile some readers are seriously put off by this genre mashup. I do not have a problem with it in principle – hey, we’re primarily telling fun stories here – as long as I feel prepared for it in some way. Since I don’t read back covers, synopses or reviews before reading, I take a bit of a risk when I venture in unaware. But I think that’s my own problem, not the writer’s, if there has been some hint beforehand.

I’d like to know what others think about this question. I love a story that goes deep into the worldview of the characters, but how do you feel about blurring the genre lines between historical fiction and fantasy? Historical fiction is fraught with plenty of debate already. (How much are you allowed to make up or change “history”?). I suspect some folks will want to keep the categories tight. I’m more inclined to let imaginations run wild as long as we all know we are reading fiction, in spite of my own experienced disconcertion. I do think the reader needs some kind of “heads up” though. How much of the supernatural should be there before labeling the book with a sub-genre?

Lily of the Nile: Recommended

If you would like to read story synopses and reviews for Lily of the Nile, check out the following links:

Goodreads

Amazon

I do plan to read Stephanie Dray’s next Cleopatra’s Daughter installment Song of the Nile.

But next up here is: Strange Gods by Annamaria Alfieri – Historical Mystery set in early 20th Century East Africa!

Hooked on History II

Roman Main Street

The rest of the story. Originally posted on my Long Ago & Far Away blog in August of 2013:

It happened in an instant. I’d read the last page of The Crusades Through Arab Eyes, closed the book and saw this kid running through ancient streets. Who was he?

The fact of real people living their lives through cataclysmic events overwhelmed me. How do they do it? How did they do it? Who were they?

It has long baffled me that, in the midst of upheaval, famine, war, and illness, people go on. They cope. They live their lives. Somehow. Whether the British during the Blitz or a nameless dancing boy escaped from a sinking ship, people adjust and do what life requires.

I was compelled to examine this resilience; to imagine their stories. My thoughts flashed to the times and places that fascinate me most – Late Antique Syria and points further east – and I knew I had tales to tell.

That was in 1993.

My life moved on. From time to time I thought about that kid who wouldn’t completely go away. I now knew who he was and what he was doing but I was busy. I left London for the US, got married, then left the US for Indonesia. While on a much needed vacation in the Cameron Highlands of Malaysia, the plot spun out before me over the course of three days. But I still thought I’d never really write it. I was, though, compiling reference materials as I could. All that time the resources were few and expensive. I had to request an out-of-print Amazon search for the book The Early Islamic Conquests by Fred Donner. It was nearly 2 years before I received a notice that they had found it. I paid $80.00 for it in 2001. (It looks like it’s playing hard to get again.)

Life carried on. I returned to the US in 2002, ran a decorative painting/murals business for eight years and designed scenery and lighting for several professional theatre companies. In 2010, we moved to Florida and I started yet another career – this time in a cubical!

About eighteen months ago my work schedule became so crazy that my only possible creative time was the wee hours of the morning. I wasn’t going to make it to my downtown art studio at 5am, so I decided it was time to write. The story is finally under way.

What strikes me now is how difficult it would have been to write any of my planned stories back in the early 1990s. There was no WWW. And, few of my primary reference books were published in 1993, most were written much later. If I could have learned to read Arabic, Greek, Latin and Aramaic while camping out at SOAS, I might have had a chance. So, although I’ve taken the long way to it, it’s just as well.

I would love to hear the research methods of others writing about obscure times and places. Do you think you could have tackled your current projects in the pre-Internet world?

Hooked on History

Two Men in Osh

This was originally posted to my Long Ago & Far Away blog in August 2013. I thought I should include it on this site since it explains how I came to this adventure:

Most people can testify to at least one teacher who made an otherwise dreaded subject come alive. I had several excellent English teachers but already enjoyed literature and drama. History required a master storyteller. I’ve forgotten his name but he made American History sound like it had happened to him. Last week. He knew all these tidbits and side stories that were not in the text book. He transformed a dull, irrelevant topic into entertainment for junior high students. This miracle might qualify him for sainthood.

But my true love of history occurred much later. Why are so many of us hooked on history only after we reach adulthood? I think it is then that we ask new life questions. It’s no longer, “Why can’t I borrow the car?” but rather, “Why do people behave this way?” Or, for me, “What happened here?”

I became interested in Christian history around 1987. I was back to church after several years of distraction (college) and wanted to understand the development of my own traditions and theology. I’d been taught the Bible since I was a child but wondered how we got from those stories to the present. At the time, I was a temp word processor for a major corporation. Work was slow so I brought in reading material. On my desk sat, Here I Stand (a bio of Martin Luther), and a stack of Puritan history books. People kept asking me if I was taking a course. They were mystified when I confessed I was reading for pleasure.

My next phase came when I moved to London. Try to walk around London for a day and not long to spend the rest of your life exploring every layer of the past hidden in each cubic inch of that soil. So, for the next few years, I devoured British history. I lived in the East End surrounded by Bengali, Pakistani and Somali immigrants and I built deep friendships with many of the women. Over time I became fascinated with early Islamic history. I asked the same questions of Islam that I’d asked of my own faith – where did this come from? How did what I saw in 1990s London come from what happened in the seventh century Near and Middle East?

Meanwhile, I had been a painter, a theatre designer, and an inner-city community worker. The accessibility of London gave me opportunities to travel: Africa, Central Asia, Eastern Europe and the newly dismantled USSR – every location steeped in stories. Can you stand in the open air markets of Fez, Morocco or Osh, Kyrgyzstan without feeling you’ve just experienced time travel? Without imagining the sights and sounds of a thousand years? I found a new love for old travel books – stories of The Great Game and intrepid Victorian women – but writing, of any sort, was not on my radar.

Not yet.